Video and music by Arvid Tomayko - December 2014
Music performed live using custom software created in Max.
Original footage shot in Central Falls and Providence, RI (Thanks to Steve and Eugenia).
Video manipulated in realtime using Max and edited to fit the music.
Music only is here.
Spontaneous Pigeon Vortex from Arvid Tomayko on Vimeo. Or watch on YouTube
An exploration of realtime audio and video manipulation using custom software. Created by Arvid Tomayko.
The music was recorded and manipulated in four live takes. First I recorded myself playing Trumpet and Drums simultaneously and then performed and recorded a realtime manipulation of that recording. I recorded separate tracks of drums and trumpet to mix with the manipulated recording.
The video manipulation was performed in realtime using custom “live editing” software and all original footage from Arches National Park, Colorado National Monument, Narragansett Bay, Providence RI and highways in Colorado, Utah and Ontario.
The first of (hopefully) a number of transcontinental collaborations between Barbara and me. The Oud is in a non-standard tuning - what Barbara describes as a "weird" tuning. For my part, I wanted to augment Barbara's fantastic Oud playing with sound derived from itself - all the sonic material, except for one small auditory event, are from the Oud performance you hear in the piece. Barbara's original performance is mostly intact, with only a few deletions, repetitions and timing adjustments. The dense sounds I added are loops recorded and performed in realtime while listening through the Oud recording, then edited and time stretched to better fit with the rhythms and flow of the performance. I also added other small events and edits with the intention of subtly extending the capabilities of the Oud - just beyond what it could do in the real life.
Painting by Barbara and Arvid - 2011
Barbara Byers - Oud - recorded in San Francisco, CA
Arvid Tomayko-Peters - Loops and Editing - in Providence, RI
Adventures in an abandoned train tunnel under the East Side of Providence.
Video and Music by Arvid Tomayko-Peters
Barbara Byers: Voice, Flashlight
July/August 2011 - Providence, RI
A Fraction of a Second from Arvid Tomayko-Peters on Vimeo.
A Fraction of a Second explores the extremes of time perception by attempting to unfold and transform what a person might experience in a fraction of a second into an audience experience of vastly different duration. The data used in creating this piece were captured in two separate very short time intervals. The piece is made from a segment of the sound of a train braking in New London, CT (93 milliseconds), and a photograph of the light of the sun reflecting off the Providence River in Providence, RI (2 millisecond exposure). Time in the original audio recording is effectively frozen while space in the still photograph is coerced into determining the time and frequency characteristics of the piece.
The sound you hear is the photograph being played left to right, using 3456 wavetable oscillators (the pixel height of the image) each playing the train braking sample at different pitches, with white reflections sonified as a map of pitches present (bottom to top) at any given time (left to right). The video frame moves from left to right through the image, in sync with the sonification of the photograph. As a result of this process, A Fraction of a Second also draws its visual and musical patterns from the patterns of the natural wave phenomena acting on the surface of the river, allowing for reinterpretation of a very familiar but still unpredictable and chaotic natural process.
Chromatic Aberration A
I created the music for this collaboration with painter Rebecca Wasilewski and film maker Ben Pender-Cudlip.
Oleophobic - live at Pixilerations from Arvid Tomayko-Peters on Vimeo.
by Arvid Tomayko-Peters and Steve Schwartz
Oleophobic is a live performance piece where colored oil and water blobs are manipulated on stage to create live visuals and music. The polar and non-polar liquids repel each other and create slowly morphing shapes that are tracked by a camera and used to control sound though additive synthesis and sample scrubbing. The blobs also form 'notes' within a looping sequencer that can be overlaid onto any rectangular area of the video by the performer and sped up, slowed down, reversed and split between two independent instruments. Pan, volume and other parameters are also controlled by various attributes of the individual blobs such as size, location and elongation.
The same oleophobic and hydrophobic properties of molecules that keep this oil and water separate also form the basis of the construction of the cell membranes of every living organism, making this polar-non-polar interaction a primordial necessity for life.
Arvid Tomayko-Peters: Audio/Video Manipulation, Programming
Steve Schwartz: Oil/Water Manipulation, Apparatus Construction
Performed October 1, 2010 at the Pixilerations Festival
Grant Recital Hall, Brown University, Providence, RI
Thanks to Bevin Kelley, James Moses and Brown Knoth (I think?) for shooting the film and producing the concert.
Made entirely from two short audio samples, one of which is used only once.
Improvisation with The TOOB #1 :|: April 6, 2010 from Arvid Tomayko-Peters on Vimeo.
Improvisation with The TOOB #2 :|: April 6, 2010 from Arvid Tomayko-Peters on Vimeo.
The TOOB is a wireless wind controller I designed and built that allows me to create sound and visuals in realtime by manipulating pre-made samples and sampling live input or the output of the instrument itself. More information can be found here.
Live solo ambient electronica experiments performed for an audience of zero. Minimally edited after recording (ie you could hear this live).
Short improvisation with The TOOB, March 1, 2010
A digitally augmented requiem mass for the inhabitants of the North Burial Ground, performed on-site, among the gravestones at the North Burial Ground in Providence, RI. Christie Lee Gibson - Voice, Arvid Tomayko-Peters, Trumpet, TOOB and electronics.
Friday, June 13, 2008 –
Saturday, Jun 21, 2008 – [Audio: Audio (mp3) •• video - takes a minute to load, please be patient ]
Watch for another performance of Requiem Aeternam at the Pixilerations Festival this October in Providence.
A piece about the sand dunes and gnarled pine forests of Truro, Massachusetts. Sand grains might blow anywhere in the wind, but walk far enough in any one direction and the intricate landscape fades into the emptiness of the ocean.
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email me: arvid @ the address of this website